Kitt knows how to surprise her audience. Through very delicate movements, body control and a strong expressiveness, she creates shapes of higher existence.
Periodico El sol de Hidalgo, Mexico, august 2008

Misshapen figures hover, slither, approach and retreat….an extraordinary journey. Every detail of action, sound, costuming and lighting is meticulously crafted … magnifying intensity.
Hillary Crampton, The Age, Melbourne, Australien, oktober 2006

A unique bodycontrol and sense of original movements. One of the most spectacular performances of the festival.
Line Adriane Anderssen, Porsgrunns Dagblad, Norge, juni 2006

The primal, decadent power of the figure never lets you go. It is the dark side of ourselves that we know too well.
Tobi Tobias, The Village Voice, New York, USA, november 2004

The Mirror is an exquisite sculpture of metamorphoses … challengning perceptions and expectations and even empoying anthropomorphim … surreal and yet familiar, reminiscent of Ernst, Arp, Miro.
Brian McCormic, Gay City News, New York, USA, oktober 2004

Rare is the choreographer who can say a great deal with very little … Johnson knows how to fashion something original out of Expressionisms distortions of the body … Evoking an enlightened ideal before compressing her body into shriveled mortality: an intense dance, intensely performed.
Anna Kisselgoff, New York Times, USA, oktober 2004

Magic, disturbing and passionate. Exceeding the state of absolute body control she pierces the question of the identification between the self and the other.
Agnes Benoist, Lyon Figaro, Frankrig, september 2004

The Northern dance has cast a spell on Uzés. Kitt Johnson has her own unique style … grace blended with strength. Her solo is impressive, both as fashion and performance art.
Marie-Christine Vernay, Liberation, Frankrig, juni 2003

… a quietly explosive solo … wonderful stage attack plus superb presence makes The Mirror both a dazzling and self-forgetting experience.
Örjan Abrahamsson, Dagens Nyheter, Sverige, marts 2003

Endnu engang har Kitt Johnson skabt et fascinerende soloværk, der denne gang med enkelhed og fokus på detaljer gennem minimale bevægelser fortæller om livets mangfoldighed i det store og små fra undfangelse til død.
Vibeke Wern, Berlingske Tidende, april 2002

En fuldbåren forvandling.
Janus Kodal, Politiken, april 2002

Set i sin helhed er Spejlet eller det der ånder i skyggen en suggestiv performance med et intenst samarbejde mellem det visuelle og lyden i de mest sublime omgivelser, man har set hende bevæge sig i nogensinde.
Charlotte Christensen, Information, april 2002

Kitt Johnson er på alle måder en ener i dansk danseteater.
Henrik Lyding, Jyllandsposten, april 2002

 

Foto: Per Morten Abrahamsen
Performer: Kitt Johnson